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Beauty and the beholder: the role of visual sensitivity in visual preference.

Spehar B, Wong S, van de Klundert S, Lui J, Clifford CW, Taylor RP - Front Hum Neurosci (2015)

Bottom Line: We measure sensitivity to simple visual patterns (sine-wave gratings varying in spatial frequency and random textures with varying scaling exponent) and find that they are highly correlated with visual preferences exhibited by the same observers.Although we do not attempt to offer a comprehensive neural model of aesthetic experience, we demonstrate a strong relationship between visual sensitivity and preference for simple visual patterns.Broadly speaking, our results support assertions that there is a close relationship between aesthetic experience and the sensory coding of natural stimuli.

View Article: PubMed Central - PubMed

Affiliation: School of Psychology, UNSW Australia Sydney, NSW, Australia.

ABSTRACT
For centuries, the essence of aesthetic experience has remained one of the most intriguing mysteries for philosophers, artists, art historians and scientists alike. Recently, views emphasizing the link between aesthetics, perception and brain function have become increasingly prevalent (Ramachandran and Hirstein, 1999; Zeki, 1999; Livingstone, 2002; Ishizu and Zeki, 2013). The link between art and the fractal-like structure of natural images has also been highlighted (Spehar et al., 2003; Graham and Field, 2007; Graham and Redies, 2010). Motivated by these claims and our previous findings that humans display a consistent preference across various images with fractal-like statistics, here we explore the possibility that observers' preference for visual patterns might be related to their sensitivity for such patterns. We measure sensitivity to simple visual patterns (sine-wave gratings varying in spatial frequency and random textures with varying scaling exponent) and find that they are highly correlated with visual preferences exhibited by the same observers. Although we do not attempt to offer a comprehensive neural model of aesthetic experience, we demonstrate a strong relationship between visual sensitivity and preference for simple visual patterns. Broadly speaking, our results support assertions that there is a close relationship between aesthetic experience and the sensory coding of natural stimuli.

No MeSH data available.


Sine-wave gratings varying in spatial frequency from left to right.
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Figure 8: Sine-wave gratings varying in spatial frequency from left to right.

Mentions: While our hypothesis that visual sensitivity mediates visual preference ties in well with the recent interest and findings around natural image statistics, we propose that it also applies to other forms of image structure. To directly test the hypothesis that visual preference varies as a function of spatial variations for which the visual system exhibits differential sensitivity we turn to the simple sine-wave configurations ranging from low to intermediate and high spatial frequency depicted in Figure 8 as the most suitable configurations.


Beauty and the beholder: the role of visual sensitivity in visual preference.

Spehar B, Wong S, van de Klundert S, Lui J, Clifford CW, Taylor RP - Front Hum Neurosci (2015)

Sine-wave gratings varying in spatial frequency from left to right.
© Copyright Policy
Related In: Results  -  Collection

License
Show All Figures
getmorefigures.php?uid=PMC4585069&req=5

Figure 8: Sine-wave gratings varying in spatial frequency from left to right.
Mentions: While our hypothesis that visual sensitivity mediates visual preference ties in well with the recent interest and findings around natural image statistics, we propose that it also applies to other forms of image structure. To directly test the hypothesis that visual preference varies as a function of spatial variations for which the visual system exhibits differential sensitivity we turn to the simple sine-wave configurations ranging from low to intermediate and high spatial frequency depicted in Figure 8 as the most suitable configurations.

Bottom Line: We measure sensitivity to simple visual patterns (sine-wave gratings varying in spatial frequency and random textures with varying scaling exponent) and find that they are highly correlated with visual preferences exhibited by the same observers.Although we do not attempt to offer a comprehensive neural model of aesthetic experience, we demonstrate a strong relationship between visual sensitivity and preference for simple visual patterns.Broadly speaking, our results support assertions that there is a close relationship between aesthetic experience and the sensory coding of natural stimuli.

View Article: PubMed Central - PubMed

Affiliation: School of Psychology, UNSW Australia Sydney, NSW, Australia.

ABSTRACT
For centuries, the essence of aesthetic experience has remained one of the most intriguing mysteries for philosophers, artists, art historians and scientists alike. Recently, views emphasizing the link between aesthetics, perception and brain function have become increasingly prevalent (Ramachandran and Hirstein, 1999; Zeki, 1999; Livingstone, 2002; Ishizu and Zeki, 2013). The link between art and the fractal-like structure of natural images has also been highlighted (Spehar et al., 2003; Graham and Field, 2007; Graham and Redies, 2010). Motivated by these claims and our previous findings that humans display a consistent preference across various images with fractal-like statistics, here we explore the possibility that observers' preference for visual patterns might be related to their sensitivity for such patterns. We measure sensitivity to simple visual patterns (sine-wave gratings varying in spatial frequency and random textures with varying scaling exponent) and find that they are highly correlated with visual preferences exhibited by the same observers. Although we do not attempt to offer a comprehensive neural model of aesthetic experience, we demonstrate a strong relationship between visual sensitivity and preference for simple visual patterns. Broadly speaking, our results support assertions that there is a close relationship between aesthetic experience and the sensory coding of natural stimuli.

No MeSH data available.